From Hollywood to Midwood

Professor Frederick Wasser worked in the world of Academy Awards in Hollywood before opening the envelope and joining academia. For close to a decade, he was a picture and sound editor for some blockbusters, including M.I.A., and Tango & Cash, as well as for TV series such as Murder She Wrote and Colombo. These solid Hollywood credentials appeal strongly to his Brooklyn College film students.
Author of many essays on the film industry, Professor Wasser published Veni, Vidi, Video: The Hollywood Empire and the VCR in 2001, about the impact of the VCR on the filmmaking industry in the 1980s. The book won the 2003 Marshall McLuhan Award for the best book in the field of media ecology. Currently, he’s working on a new manuscript, “Steven Spielberg's America,” which Wasser hopes will contribute to the debate about how mainstream filmmaking in Hollywood has responded to the growing importance of an international audience, even while the U.S. has isolated itself politically in recent years.
“While mainstream Hollywood gears films more toward foreign audiences, Spielberg, has become more of an intellectual than the entertainer he started as, and is now more interested in telling American stories, modeling his characters after the 1940s, 1950s Hollywood heroes,” Professor Wasser’s writing suggests. “He [Spielberg] seems to be more interested in heroes that do not break the law than the outlaws and desperadoes the industry likes nowadays.”