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  • H. Wiley Hitchcock Institute for Studies in American Music

H. Wiley Hitchcock Institute for Studies in American Music

The H. Wiley Hitchcock Institute for Studies in American Music at Brooklyn College (HISAM) supports American music scholarship, pedagogy, and performances. We recognize and seek to connect diverse local, national, and global musical practices across a broad spectrum of oral, popular, and art music traditions. We represent scholars, performers, and creators that reflect the racial, economic, and gender diversity of our students, faculty, community, and the world. Through our biannual publication, American Music Review, the Polycultural America Speaker Series, monographs, collection of oral histories, and forums for public musicology, the faculty and staff of HISAM seek to resist systems of oppression, acknowledge the privileges of whiteness, strive for social justice, and publicly promote antiracism.

Music in Polycultural America

Music in Polycultural America

Women, Sound, Transformation: Claudia Acuña and Angela Piva on Survival and Success in the Music Industry

Wednesday, November 2, 2022
11 a.m.-12:15 p.m.
Room 250, Leonard and Claire Tow Performing Arts Center

In-Person and Virtual

Registration

More Information
718.951.5655
hisam@brooklyn.cuny.edu

View our full Event Calendar

Now Introducing the HISAM Vimeo Channel

Go to our channel and check out our past Speaker Series events for talks you may have missed.

Excerpt from ‘Lyrical without Lyrics’ - Rosamond S. King performance from HISAM Speaker Series

American Music Review

American Music Review

Vol. LI, No. 1, Fall 2021
Download the entire issue (PDF)

Institute News

by Stephanie Jensen-Moulton

Considering Gestural References to Batéy in Performing Axon by Tania León

by Maja Cerar

“Can You Imagine?”: Reflections on the Career of Tania León

by Carol J. Oja

Archiving Tania León’s Limitless Dance

by Isaac Jean-François

Wisdom from Wiley

by Jeffrey Taylor

Tania León: Perpetuum Mobile of Inspiration

by Polina Nazaykinskaya

Biographical Counterpoint: A Conversation with Alejandro L. Madrid on Writing Tania León’s Stride: A Polyrhythmic Life

by Stephanie Jensen-Moulton

Postscript

by Nancy Hager

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