Amy E. Hughes
Assistant Professor
Theater
Location: 312b Whitehead Hall
Phone: 718.951.5000 x2767
Fax: 718.951.4606
Email:
As a teacher, Amy E. Hughes believes in the transformative power of collaboration; she uses a variety of unconventional pedagogical techniques in the classroom. In 2010, Brooklyn College honored her with its Excellence in Teaching Award. As a historian, she investigates the relationship between theater/performance and visual, print and material culture in the US, seeking to understand how spectacle serves as an engine for the circulation of ideas. This is the subject of her first book, Spectacles of Reform: Theater and Activism in Nineteenth-Century America (Ann Arbor: University of Michigan Press, 2012). She is now working on two new book projects: a critical edition (co-edited with Naomi J. Stubbs) of the diary of American actor Harry Watkins; and a monograph, Pages from a Player's Diary: A Cultural Biography of Harry Watkins, Nineteenth-Century American Actor, exploring how the diary illuminates gaps in our understanding of antebellum theater and culture.
Education:
Ph.D., CUNY Graduate Center - 2009 (Theater Studies)
M.F.A., Brooklyn College - 1999 (Performing Arts Management)
B.F.A., New York University - 1996 (Acting)
Areas of Expertise:
U.S. theater, visual, and material culture during the 19th century (1800s); theater and performance in the Republic of Turkey; collaborative learning and other nontraditional pedagogical methods (activities in teams, role-play, learning-by-doing).
Books and Publications
"White Rebels, 'Ape Negroes,' and Savage Indians: The Racial Poetics of National Unity in Harry Watkins's The Pioneer Patriot (1858)." Enacting Nationhood through Dramatic Literature and Live Performance, 1849-99.. Ed. Scott R. Irelan. Under contract with Cambridge Scholars Publishing. (Books and Publications: Forthcoming Publications) 2012
Spectacles of Reform: Theater and Activism in Nineteenth-Century America. Ann Arbor, Mich.: University of Michigan Press. (Books and Publications: Book) 2012
Review essay, 18th International Istanbul Theater Festival (May 4-June 10, Istanbul). Theatre Journal. Commissioned for May 2013 issue. (Books and Publications: Forthcoming Publications) 2012
Review of Racial Innocence: Performing American Childhood from Slavery to Civil Rights, by Robin Bernstein (New York: New York University Press, 2011). Journal of American Culture 35.4, December: 377-78. (Books and Publications: Other Article) 2012
John B. Gough's Afternoon at the Theatre; Or, The Tyranny of an Account Book. Chapter in A Tyranny of Documents: The Performing Arts Historian as Film Noir Detective. Essays Dedicated to Brooks McNamara. Ed. Stephen Johnson. Performing Arts Resources 28: 101-09. (Books and Publications: Chapter) 2011
Spectacles of Insanity: The Delirium Tremens on the Antebellum Stage. Journal of American Drama and Theatre 22.2 (Spring 2010): 7-24. Nominated for the 2011 Vera Mowry Roberts Research and Publication Award from the American Theatre and Drama Society (ATDS). (Books and Publications: Peer Reviewed Article) 2010
Teaching portfolio featured as an exemplary model. The Teaching Portfolio: A Practical Guide to Improved Performance and Promotion/Tenure Decisions, 4th ed., by Peter Seldin et al. Boston: Jossey-Bass. (Books and Publications: Chapter) 2010
Review of Jason Shaffer, Performing Patriotism: National Identity in the Colonial and Revolutionary American Theater. Theatre Research International 34.2: 210-11. (Books and Publications: Book Review) 2009
"Defining Faith: Theatrical Reactions to Pro-Slavery Christianity in Antebellum America." Interrogating America through Theatre and Performance. Eds. William Demastes and Iris Smith Fischer. New York: Palgrave Macmillan. 29-45. (Books and Publications: Chapter) 2007
Hughes, Amy E., Jill Stevenson and Mikhail Gershovich. Community through Discourse: Reconceptualizing Introduction to Theatre. Theatre Topics 16.1, March: 85-101. (Books and Publications: Peer Reviewed Article) 2006
"Answering the Amusement Question: Antebellum Temperance Drama and the Christian Endorsement of Leisure." New England Theatre Journal 15: 1-19. (Books and Publications: Peer Reviewed Article) 2004
Review of Richard Maxwell's production of Henry IV, Part One (at Brooklyn Academy of Music), Theatre Journal 56.2, May: 303-04. (Books and Publications: Book Review) 2004
Editor, Theatre Research Resources in New York City, 5th ed. Senior ed. Marvin Carlson. New York: Martin E. Segal Theatre Center Publications. (Books and Publications: Edited Book) 2004
Awards, Honors and Fellowships
PSC-CUNY Enhanced Research Award for personnel and production costs associated with A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century American Actor, an annotated critical edition of the journal kept by American actor Harry Watkins (b. 1825-d. 1894) during the period 1845-60. $11,945. (Grants and Fellowships) 2012
ASTR Brooks McNamara Publishing Subvention, for Spectacles of Reform: Theater and Activism in Nineteenth-Century America (Ann Arbor, Mich.: University of Michigan Press, 2012). $600. (Grants and Fellowships) 2012
ATDS Publication Subvention Award, for Spectacles of Reform: Theater and Activism in Nineteenth-Century America (Ann Arbor, Mich.: University of Michigan Press, 2012). $200. (Grants and Fellowships) 2012
Mrs. Giles Whiting Foundation Fellowship for Outstanding Teaching in the Humanities, Brooklyn College. $2,500 research grant and one-semester release from teaching to pursue scholarly projects. Fall. (Grants and Fellowships) 2011
2011 Institute for the Editing of Historical Documents. Travel support to attend the annual institute, which provides training and mentoring in documentary editing, sponsored by the Association for Documentary Editing (ADE) and the National Historical Publications and Records Commission (NHPRC). $1,200. (Grants and Fellowships) 2011
PSC-CUNY Research Award, travel support for research related to the diary of American actor Harry Watkins. $5,953. (Grants and Fellowships) 2011
Leonard and Claire Tow Travel Fellowship, Brooklyn College, for "The Diary of Harry Watkins: Ruminations of an Actor, Spectator and Aspiring Gentleman." $3,150. (Grants and Fellowships) 2011
Mellon Seminar (on "Emotion"), Center for the Humanities, CUNY Graduate Center, for Spectacles of Reform: Theater and Activism in Nineteenth-Century America (book manuscript), 2010-11. Six-credit release from teaching (approximately $7,980). (Grants and Fellowships) 2011
Nominee, Vera Mowry Roberts Research and Publication Award, American Theatre and Drama Society (ATDS) (for "Spectacles of Insanity: The Delirium Tremens on the Antebellum Stage"). (Awards and Honors) 2011
Andrew W. Mellon Foundation Fellowship, Library Company of Philadelphia and Historical Society of Pennsylvania, to support research for book manuscript (Spectacles of Reform: Theater and Activism in Nineteenth-Century America). $2,000. (Grants and Fellowships) 2010
Excellence in Teaching Award, Brooklyn College. (Awards and Honors) 2010
Jay T. and Deborah Last Fellowship, American Antiquarian Society, to support research for book manuscript (Spectacles of Reform: Theater and Activism in Nineteenth-Century America). $1,850. (Grants and Fellowships) 2009
PSC-CUNY Research Award, for "Braving Infernos and Ice Floes: Endangered Bodies in Nineteenth-Century American Melodrama." $3,990. (Grants and Fellowships) 2008
Martin S. Tackel American Theater Research Grant, CUNY Graduate Center, for archival research at the American Antiquarian Society for doctoral dissertation. $1,400. (Grants and Fellowships) 2007
Doctoral Student Research Grant, CUNY Graduate Center, for "Theatre Culture in San Francisco, 1849-1860." $1,000. (Grants and Fellowships) 2006
Research Activities
Article in progress: "Embodying Atatürk: Performing Nationalism in Modern Turkey," examining how performance operates as a crucial conduit for expressing proofs of patriotism in the Republic of Turkey. 2012
Book in progress: a monograph, Pages from a Player's Diary: A Cultural Biography of Harry Watkins, Nineteenth-Century American Actor, exploring how Watkins's diary illuminates gaps in our understanding of 19th-century American theater culture. 2012
Hughes, Amy and Naomi Stubbs, co-editors, book in progress: an annotated critical edition, A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century American Actor, featuring selections from Watkins's diary, a newly discovered manuscript spanning the years 1845-60. 2012
Conferences, Seminars and Symposiums
"Evaluating the Mundane: Tedium and Repetition in the Diary of Harry Watkins (1825-1894)." Paper contributed to working session, American Society for Theatre Research (ASTR) Conference. November. (Conferences, Seminars and Symposiums: Conference Presentation) 2012
"Introducing 'Reacting to the Past': Energizing the Classroom through Games and Play." Workshop in applied pedagogy, Ph.D. in Theater Program, CUNY Graduate Center. New York, November. (Conferences, Seminars and Symposiums: Invited Talk) 2012
"New Histories in Old Archives: A Roundtable on 19th Century American Theatre." Association for Theatre in Higher Education Conference (ATHE). August. (Conferences, Seminars and Symposiums: Invited Talk) 2012
"Peer-to-Peer Pedagogy: Collaborative Learning Techniques for the Classroom." Workshop sponsored by the Graduate Theater Organization at Brooklyn College. October. (Conferences, Seminars and Symposiums: Invited Talk) 2012
"White Rebels, 'Ape Negroes,' and Ignoble Savages: Race and Revolutionary Resistance in The Pioneer Patriot." American Studies Association (ASA) Conference. November. (Conferences, Seminars and Symposiums: Conference Presentation) 2012
Respondent, "American Theatre and Drama Society (ATDS) Past Presidents Talk about Past Accomplishments and Future Goals." Association for Theatre in Higher Education Conference (ATHE). August. (Conferences, Seminars and Symposiums: Invited Talk) 2012
"Octomom Today." Fifteenth Annual Faculty Day. Brooklyn College. May. (Conferences, Seminars and Symposiums: Conference Presentation) 2011
"Getting Into Texts by Getting Into Character: 'Reacting to the Past' in the Core Curriculum." Core Curriculum Conference. Brooklyn College. June. (Conferences, Seminars and Symposiums: Invited Talk) 2010
"In Pursuit of Eliza: Figurations of Fugitive Slaves in Theatrical, Visual, and Print Culture." American Literature Association Conference. May. (Conferences, Seminars and Symposiums: Conference Presentation) 2010
"Octomom Today." Contaminating Bodies: The Threat of Women on Performative Display (working session). American Society for Theatre Research (ASTR) Conference. November. (Conferences, Seminars and Symposiums: Conference Presentation) 2010
Chairwoman, "Intertextual Exchanges: Gender and Desire on American Stages." American Literature Association Conference. May. (Conferences, Seminars and Symposiums: Contributed Talk) 2010
Chairwoman, "Living Faith: Contemporary Religious Performance in America." Association for Theatre in Higher Education Conference. August. (Conferences, Seminars and Symposiums: Contributed Talk) 2010
Co-organizer and participant, "Survival Tactics: Theatre and American General Education" roundtable. Association for Theatre in Higher Education Conference. August. (Conferences, Seminars and Symposiums: Contributed Talk) 2010
Organizer and chairwoman, "Getting Into Texts by Getting Into Character: 'Reacting to the Past' in the Brooklyn College Core Curriculum." CUNY General Education Conference. May. (Conferences, Seminars and Symposiums: Conference Presentation) 2010
Organizer and co-facilitator, "The Teaching Portfolio: Documenting the Art and Practice of Your Teaching" roundtable. Faculty Day. Brooklyn College. May. (Conferences, Seminars and Symposiums: Invited Talk) 2010
Participant, "'Reacting' and the Craft of Teaching" (roundtable). Tenth Annual Reacting to the Past Institute. Barnard College. New York, June. (Conferences, Seminars and Symposiums: Invited Talk) 2010
"Sensation, Spectacle, and Reform: W. H. Smith's The Drunkard." Introduction to Theatre Studies, New York University. April. (Conferences, Seminars and Symposiums: Invited Talk) 2009
"Specters of Insanity: The Delirium Tremens Reprised and Recycled on the Antebellum Stage," American Studies Association Conference. November. (Conferences, Seminars and Symposiums: Conference Presentation) 2009
Chairwoman, "Nineteenth-Century New York: Reconsidering Primary Sources." Association for Theatre in Higher Education Conference. August. (Conferences, Seminars and Symposiums: Contributed Talk) 2009
Co-organizer and preceptor, Reacting to the Past workshop featuring Mark C. Carnes (Barnard College). Core Curriculum Conference. Brooklyn College. June. (Conferences, Seminars and Symposiums: Contributed Talk) 2009
Davis, James and Amy E. Hughes, co-facilitators. "How to Write a Statement of Teaching Philosophy." Sponsored by the Roberta S. Matthews Center for Teaching, Brooklyn College, March and October 2008, and January 2009. (Conferences, Seminars and Symposiums: Contributed Talk) 2009
"Debunking John B. Gough: Public Responses to the Temperance Lecturer's 1845 Relapse." American Studies Association Conference. October. (Conferences, Seminars and Symposiums: Conference Presentation) 2008
"Norm-Defying Acts: Extreme Bodies on the Nineteenth-Century American Stage." Mid-America Theatre Conference. February. (Conferences, Seminars and Symposiums: Conference Presentation) 2008
"Scaring the Deviance Out of You: The Delirium Tremens in Antebellum Temperance Entertainment." American Society for Theatre Research Conference. November. (Conferences, Seminars and Symposiums: Conference Presentation) 2008
Carlson, Marvin and Amy E. Hughes, co-facilitators. Workshop on post-colonial theater in Africa. Crossroads of the Humanities Conference, sponsored by the Interdisciplinary Ph.D. Program in Theatre and Drama, Northwestern University. Evanston, Ill., April. (Conferences, Seminars and Symposiums: Invited Talk) 2008
"Braving Infernos and Ice Floes: Endangered Bodies in Nineteenth-Century American Melodrama." Association for Theatre in Higher Education Conference. July. (Conferences, Seminars and Symposiums: Conference Presentation) 2007
"Letting Students in on the Secret: Pedagogical Transparency in the Classroom." New Faculty Brown Bag Series (November) and Associate Provost's Luncheon for New Faculty (December), sponsored by the Roberta S. Matthews Center for Teaching, Brooklyn College. (Conferences, Seminars and Symposiums: Invited Talk) 2007
Chairwoman, "Re/Imagining American Identities on the Nineteenth Century Stage." Association for Theatre in Higher Education Conference. July. (Conferences, Seminars and Symposiums: Contributed Talk) 2007
"Man Meets Machine: Techno-Spectacles in Nineteenth-Century Melodrama." Association for Theatre in Higher Education Conference. August. (Conferences, Seminars and Symposiums: Conference Presentation) 2006
Co-organizer and participant, "Reacting to the Past: Reliving Historical Milestones Through Role-Play" workshop. Association for Theatre in Higher Education Conference. August. (Conferences, Seminars and Symposiums: Contributed Talk) 2006
Co-organizer and participant, "The Day Thrasybulus Stole the Show: How Reacting to the Past Is Empowering Students and Instructors" workshop. International Society for Exploring Teaching and Learning Conference. October. (Conferences, Seminars and Symposiums: Contributed Talk) 2006
Organizer and chairwoman, "Politics in the Classroom" roundtable. Association for Theatre in Higher Education Conference. August. (Conferences, Seminars and Symposiums: Contributed Talk) 2006
"'That's a True Woman!' Under the Gaslight's Railroad Sequence as Suffrage Spectacle." Association for Theatre in Higher Education Conference. July. (Conferences, Seminars and Symposiums: Conference Presentation) 2005
"Beyond Texts and Tests: Emphasizing Oral Communication in Introductory Theatre Classes." Teaching Theatre and Historiography Research Group. American Society for Theatre Research Conference. November. (Conferences, Seminars and Symposiums: Conference Presentation) 2005
"Consuming the End Times: Evangelical Strategies within the Field of Cultural Production." Mid-Atlantic Popular/American Culture Association Conference. November. (Conferences, Seminars and Symposiums: Conference Presentation) 2005
"Defining Faith: Theatrical Reactions to Pro-Slavery Christianity in Antebellum America." New Literacies: Writing, Teaching, Performing America Conference, sponsored by the University of Kansas and the American Theatre and Drama Society. March. (Conferences, Seminars and Symposiums: Conference Presentation) 2005
"Spectacular Rapture: The Penultimate Performance of Contemporary Evangelicalism." American Society for Theatre Research Conference. November. (Conferences, Seminars and Symposiums: Conference Presentation) 2005
Co-organizer and participant, "Performing General Ed: Engaging Non-Majors in the Theatre Classroom Through Oral Communication" (roundtable). New Literacies: Writing, Teaching, Performing America Conference, sponsored by the University of Kansas and the American Theatre and Drama Society. March. (Conferences, Seminars and Symposiums: Contributed Talk) 2005
"Disrobing Pope Joan: The Inefficacy of Gender Performativity in Dietrich Schernberg's A Good Play about Lady Jutta." 39th International Congress on Medieval Studies. May. (Conferences, Seminars and Symposiums: Conference Presentation) 2004
Organizer and chairwoman, "Examining 'Inspired' Theatre: New Directions in Religion and Theatre Studies" (panel). Association for Theatre in Higher Education Conference. August. (Conferences, Seminars and Symposiums: Contributed Talk) 2004
"Answering the Amusement Question: Antebellum Temperance Drama and the Reformation of Leisure." ATDS Emerging Scholars Panel (juried). Association for Theatre in Higher Education Conference. August. (Conferences, Seminars and Symposiums: Invited Talk) 2003
Chairwoman, "Transforming [Re]presentations: Images of the Actor, the Masculine, and the 'Other' in Melodrama" panel. Association for Theatre in Higher Education. August. (Conferences, Seminars and Symposiums: Contributed Talk) 2003
Professional Leadership
Board member (elected), American Theatre and Drama Society (ATDS), 2009-13. (Professional Leadership: Organizational Leadership Position) 2012
Chairwoman, Graduate Curriculum Committee, Department of Theater. 2009-present. (Professional Leadership: Committee Service) 2012
Chairwoman, Multi-Year Plan Committee (strategic planning), Department of Theater. 2010-present. (Professional Leadership: Committee Service) 2012
Chairwoman, Scholarships and Awards Committee, Department of Theater. 2009-present. (Professional Leadership: Committee Service) 2012
Delegate at large (elected), representing the School of Visual, Media, and Performing Arts, Faculty Council, Brooklyn College, 2012-15. (Professional Leadership: Organizational Leadership Position) 2012
Deputy chair for graduate studies, Department of Theater, 2009-present. (Professional Leadership: Organizational Leadership Position) 2012
Member, Committee for New Paradigms in Graduate Education, American Society for Theater Research (ASTR), 2012-present. (Professional Leadership: Committee Service) 2012
Publications Committee, American Theatre and Drama Society, 2007 and 2012. (Professional Leadership: Committee Service) 2012
Campus Planning Committee, Faculty Council, Brooklyn College, 2010-11. (Professional Leadership: Committee Service) 2011
Chairwoman, Excellence in Teaching Award Selection Committee, Brooklyn College. (Professional Leadership: Committee Service) 2011
Executive board member (elected), Roberta S. Matthews Center for Teaching, Brooklyn College, 2008-11. (Professional Leadership: Organizational Leadership Position) 2011
First Year Experience Advisory Board, Brooklyn College, 2010-11. (Professional Leadership: Committee Service) 2011
Program head, M.F.A. in Dramaturgy and Theater Criticism, Brooklyn College, 2007-09. (Professional Leadership: Organizational Leadership Position) 2009
Graduate student representative, American Theatre and Drama Society, 2005-07. (Professional Leadership: Organizational Leadership Position) 2007
Interim program head, M.F.A. in Performing Arts Management, Brooklyn College, 2006-07. (Professional Leadership: Organizational Leadership Position) 2007
Associate conference planner, American Theatre and Drama Society, 2004-06. (Professional Leadership: Committee Service) 2006
Selection Committee, ATDS Emerging Scholars Panel, Association for Theatre in Higher Education Conference. (Professional Leadership: Committee Service) 2006
Other Professional Activities
Book manuscript reviewer, University of North Carolina Press. 2012
Participant, Reacting to the Past Institute. Training in Mark C. Carnes's award-winning "Reacting to the Past" pedagogy, which consists of elaborate role-playing exercises driven by classic texts, 2005, 2007 and 2010. 2010





